Review by Ian Keogh
When a S.T.A.R. Labs team discovers a seemingly long-abandoned spacecraft in a Central American jungle they ask Superman for help as a precautionary measure. Unfortunately contact with the ship has an effect on his powers, and it’s surmised the weakening is the result of an alien virus having no effect on humans. A bad time, then, for a bunch of mercenaries to show up. Shortly afterwards they hear a local legend of a formidable demon warrior who was only defeated through cunning and skill, and the area where it met its death is considered forbidden ground lest it awaken again.
Because it’s Superman vs. Predator it would be cheating for no actual living Predator to come calling, and David Michelinie mixes that with the efforts of a rogue scientist with an appalling plan they see as saving humanity in the long term. A considerable amount of set-up occupies the opening third, and it’s interesting without being fascinating, but picking up the pace could have rectified that. When the Predator arrives, though, events become more thrilling, although it’s a while before there’s a proper set-to with Superman as Michelinie has provided plenty of cannon fodder.
Alex Maleev’s art evolved so much over the years that it’s strange to see this early work where he’s attempting more or less straight superhero storytelling. It’s not as interesting as his later comics, but fine, if a little stiff much of the time. Toward the end, though, deadline pressures take hold. The backgrounds aren’t as detailed, and there’s shaky anatomy when it comes to the climactic fight scene.
The extended supporting cast and their unknown motivations are intended to keep the interest up until the final battle, but from the start there’s a feeling of artificially padding events to ensure the page count is reached. Under usual circumstances Superman wouldn’t have any trouble dealing with a Predator, but the weakened Superman does, and Michelinie cleverly ensures his mind is also on another threat. However, this would be a far stronger story were it shorter and faster paced.
