Fantastic Four Visionaries by John Byrne Volume 8

Writer / Artist
Fantastic Four Visionaries by John Byrne Volume 8
Fantastic Four Visionaries Byrne vol 8 review
  • North American Publisher / ISBN: Marvel - 0-7851-2736-4
  • Volume No.: 8
  • Release date: 2007
  • UPC: 9780785127369
  • Contains adult content?: no
  • Does this pass the Bechdel test?: yes
  • Positive minority portrayal?: yes
  • CATEGORIES: Superhero

With this volume we finally reach the end of John Byrne’s run on Fantastic Four, with comics originally published in 1986. It really was very much time that he left. The three stories included here are largely pedestrian.

Byrne finally concludes a Dr Doom plotline begun nearly two-and-a-half years earlier (in a story collected in the Byrne Visionaries volume 4), though one doubts that when starting that plot he intended to use the deus ex machina of the Beyonder as part of the resolution. This narrative also involves bringing back the Invincible Man, another long-forgotten Jack Kirby creation. There then follows a tale in which Byrne returns Negative Zone villains Blastaar, the antagonist in an  FF comic he’d drawn before writing the series (collected in the Byrne Visionaries volume 0), and Annihilus, who featured in one of Byrne’s best scripts (collected in the Byrne Visionaries volume 3). This leads into a faux time-travel adventure with a “Let’s Kill Hitler” theme.

The last story is a typical Byrne strange SF environment narrative -throughout his run, Byrne clearly thought of Fantastic Four as a science fiction series as much as a superhero comic. But Byrne quit Fantastic Four not only a few months away from the 25th anniversary of their first appearance and their 300th issue, but in the middle of this tale.  Roger Stern and Jerry Ordway pick up the pieces, and deliver a reasonable conclusion that remains in Byrne’s style.

Byrne’s scripting displays a wordiness here that would blight his next project, the Man of Steel series, showing again that he was past his best. His art remains of a high standard, but under the inks of Al Gordon, P. Craig Russell, and especially Joe Sinnott, it looks very different from how it had a few years earlier. How Byrne might once have handled the artwork is hinted at by the covers where he inked his pencils himself.

Byrne’s Fantastic Four is a highlight of superhero comics before Dark Knight and Watchmen, but this last collection is less than essential. Byrne at his best is found in the first three volumes.