Review by Karl Verhoven

While Ascender is intimately connected to Descender, and eventually features almost the same cast, it’s worth noting right away that Jeff Lemire ensures it can be read and completely understood without reference to Descender. It does mean the gradual reintroduction of cast members lacks the intended impact for new readers, particularly as it’s not until the finale that one person returns.

One of two primary new characters introduces the series. Born after Descender ended when the Descenders arrived a second time, the adventurous Mila is now ten, and resents how her father insists they remain isolated and away from potential threats she doesn’t really understand. Although she doesn’t age greatly during the course of events, as much as anything Ascender is Mila’s coming of age story as she discovers who she is, and ultimately what she’s capable of. She lives in a universe where science is hidden and rooted out, and behind that is the malign Mother who’s developed a galactic power based on sorcery with supernatural creatures doing her bidding.

It’s a little darker, but Ascender adheres greatly to the Star Wars template of grand adventure on a galactic scale against an unimaginable threat. This is disguised by the approach of artist Dustin Nguyen who renders space opera in a more intimate style than is usual. Taking his lead from Lemire prioritising human feelings and reactions, Nguyen focuses on the people, embedding them in white backgrounds with subtle splashes of colour, largely restricting any brightness to Telsa’s hair. In some Japanese comics this is a frustration, but the thoughtful application of watercolour adds far greater depth than you’d imagine. Perhaps that’s only the case when the artist is as talented as Nguyen, who’s able to construct so much from so little. Look closely at any face and it features so few lines. He’s at his weakest when having to supply action without people, but it still looks good.

Mother’s strength comes from magic, but bolstered by information and observation. Her small demonic minions fly around spouting slogans about her always watching, and a gruesome early scene has her pulling out an eye to construct a slimy Lovercraftian monstrosity. She’s a classic villain, yet also given a human side by Lemire, hinting at why this is such a solid package.

For all the “Worms of Satan! Your time has come” and “I’ll give you one chance to speak before I pull it from you”, the primary message to Ascender is that humanity abides, and this is one thrilling way to experience that hope. If preferred, it’s available as four paperbacks beginning with The Haunted Galaxy.