Review by Win Wiacek
Sometimes a short, sharp, intensely stand-alone tale is as welcome and vital as a cold beer in the noon-day desert. Just such a salutary singleton is Mesmo Delivery, first solo English-language release of singularly gifted writer/artist Rafael Grampá, who originally devised the macabre and gritty thriller in his native Brazil back in 2008.
Picked up and translated by Dark Horse, this stark and spookily effective grindhouse/trucker movie amalgam delivers dark chills, gritty black humour and eerie, compulsive mystery in equal, intoxicating amounts… and it all starts, unfolds and ends right here.
Aging, raddled Elvis impersonator Sangrecco is an extremely odd deliveryman, working for a rather unique haulage business. For a start, he can’t actually drive, which is why hulking, gentle, cash-starved ex-boxer Rufo has been temporarily hired by the boss to operate the truck on a run through some very bleak bad country. Rufo doesn’t ask questions. He just pilots the huge container rig with its mysterious and unspecified cargo – that he’s not allowed to see – to God knows where, listening to the obnoxious, pompous Sangrecco mouth off about his many, unappreciated talents.
Things take a bad turn when they break at the isolated Standart Truck Stop. The Elvis freak is too lazy to even fetch his own beer, and when Rufo takes care of business and grudgingly tries to pay, a sleazy pack of locals trick him into an impromptu street fight on a cash-bet. The ploy is a set-up and when Rufo proves unexpectedly tough, the prize-fight gets too serious and results in a fatality – and possibly more.
Stark, brutal, rollercoaster-paced and rendered with savage, exhilarating bravura, this thundering, down-and-dirty fable grips like a vice and hits like a juggernaut, providing the kind of excitement every jaded thriller fan dreams of.
Also included in this brief, slim, scary and mesmerising tome is an effusive introduction from Brian Azzarello, pin-ups by Mike Allred, Eduardo Risso, Craig Thompson and Fábio Moon plus a stunning sixteen page sketch, design and commentary section ‘Making of Mesmo Delivery’.
Since Mesmo Delivery, Grampá has gone on to shine on established American titles, but this superbly visceral, raw storm of sheer visual dexterity and narrative guile is an ideal example of pared back, stripped down, pure comics creativity that no mature lover of the medium can afford to miss.